Re: dance- tech in architectural design

From: m.withers (m.withers@verizon.net)
Date: 12/26/02


The following message was posted to: dance-tech

I apoligize for writing again.  I wanted to introduce you to an associate of
mine who works primarily in 3-D using a 3-D camera.  We recently did a video
together in a 3-D environment.
Daniel Sternklar:  dan@view3d.tv; http://www.view3d.tv.

Best regards,

Maida Withers


>  -----Original Message-----
>  From: dance-tech@dancetechnology.org
>  [mailto:dance-tech@dancetechnology.org]On Behalf Of socrates yiannoudes
>  (by way of dance-tech-admin@dancetechnology.org)
>  Sent: Tuesday, December 24, 2002 7:05 PM
>  To: Multiple recipients of dance-tech
>  Subject: [dance-tech] Re: dance- tech in architectural design
>
>
>  The following message was posted to: dance-tech
>
>  Dear Johannes,
>  I am really glad that my request in the dance-tech
>  archive gave you food for thought and might lead to a
>  useful dialogue and exchange of ideas on the subject.
>  I have to admit that my research is still in a
>  preliminary stage as far as the dance-tech element is
>  concerned. The whole idea of using technologies to
>  interprete human movement into spatial configurations
>  and other properties of space is still a bit distant
>  for me. Let me explain my research question first:
>
>  My inquiry is placed in the context of  spatial
>  perception in REAL architectural space.
>  I am interested in exploring the kinesthetic aspects
>  of perception of space and propose a method to address
>  them throughout the design process. I want to explore
>  a design method by which to produce architecture able
>  to enhance the kinesthetic aspects of spatial
>  perception. I am arguing that traditional design
>  methods (like design by drawing/sketching) tend to
>  address only the visual and physical aspects of
>  architecture and neglect the bodily/perceptual aspects
>  of architecture (sensory space). Therefore, I am
>  proposing the use of the expressive movements of the
>  body (a form of gestural design) as a design method
>  that, I assume, can express and demonstrate the
>  kinesthetic aspects of the architecture. This will be
>  achieved by enacting-imitating the kinesthetic
>  interactions of the user with the architecture
>  throughout the design process, and somehow translating
>  them into spatial
>  properties/deformations/configurations.
>
>  This is why I have turned to dance-technology, in
>  order to find out what aspects of body movement
>  current technologies can track and capture, and how
>  they can manipulate and interprete them.
>
>  My personal idea is that 3D digital animations of
>  preliminary architectural spaces will be primarily
>  designed (3D Studio) and then the
>  designer's/performer's movement will influence their
>  shape and configuration creating the final design
>  outcome. The question how and with what criteria the
>  interactions/movements will be translated and applied
>  onto the digital architectural space deforming it,
>  remains, in a large degree, a question to me as well.
>  That is why I have been looking into the movement
>  analysis literatures (Laban and so on) to understand
>  the structure and elements of human movement. Because
>  the possibilities are numerous and the ideas can be
>  infinite I have to narrow down my process by
>  determining precisely which aspect of human movement I
>  want to analyse and translate (is it dynamic aspects?
>  Spatial aspects?  Is it the amount of tension in a
>  particular action? Is it the rhythm of this action?
>  The flow?) and which features of the architectural
>  space will be influenced and changed/deformed .
>  However this means that I have to construct my own
>  software/hardware, something that I have not the
>  skills and time to do. Therefore I think I will be
>  looking for existing technologies (whichever seems
>  more suitable ), and apply those onto my process and
>  take advantage of  their existing potential to track
>  and translate parameters of body movement. So any
>  responses/ideas/suggestions from the dance community
>  are very welcome. Looking forward to them.
>
>  Friendly regards
>  Socrates Yiannoudis
>
>
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