hello mary lou -- As far as I am aware no direct references to collaborations involving choreographers. best scott At 16:18 29/05/02 +0930, you wrote: >Hi Scott >Would this be a good resource in relation to dance and technology or does it >take a more general approach to all the arts/ Are there references to dance >collaborations? >Thanks >Mary-Lou > >Scott deLahunta wrote: > > > hi samantha > > > > the book just came out so I can't really give you a detailed report // but > > in my opinion it's going to make an interesting contribution. Ernest > > Edmonds was very involved in the computer art of the 60s and 70s and I > > think the contents of the book will reflect this. He and his co author have > > also worked for years supporting collaborations between artists and > > computer scientists with their eye on exploring relationships between > > processes, materials, cognition and creativity -- so there will probably be > > coverage of this as well. I am not sure I am reading your email correctly, > > but it seems perhaps you are put off by the books that tend towards a > > futuristic and maybe even a fetishizing view of the technologies? I don't > > think you will get this with this book. > > > > I suggest going to the website: http://www.creativityandcognition.com/ -- > > and going down to publications and to 'book' and there you can find the > > contents list, etc. and the introduction, etc. to peruse. > > > > best > > > > scott > > > > At 20:19 27/05/02 -0500, you wrote: > > >scott, > > > > > >does this book have a basis in the history of visual and spatial culture > > >or is it more directed towards an exploration of the more current goings > > >on? i've been continually disappointed in the plethora of books about > > >interactivity, virtuality, technology and creativity that seem to be > > >floating in their own world of references--the most useful book i've found > > >recently is Multimedia: From Wagner to Virtual Reality (eds. Randall > > >Packer and Ken Jordan). thanks... > > > > > >samantha > > > > > > > > > > > >>worth getting -- > > >> > > >>scott > > >> > > >>***************************************** > > >> > > >>*Explorations in Art and Technology* > > >>Linda Candy, Loughborough University, Leicestershire, UK; > > >>Ernest Edmonds, Loughborough University, Leicestershire, UK > > >>Springer-Verlag Heidelberg > > >>2002. XVI, 304 pp. Hardcover > > >>1-85233-545-9 > > >> > > >>Explorations in Art and Technology is about the creative process in > > >>action through the eyes of practitioners and researchers. The book > > >>explores the fascinating relationship between artist and technologist > > >>through studies of innovative projects that push the boundaries of > > >>digital art. The research sheds new light on the nature of interaction > > >>between people and computers and provides insight into the > > >>characteristics of environments in which creativity can be enhanced. In > > >>doing so, it presents a case for organisations to develop strategies for > > >>offering environments in which collaborative, sustainable partnerships > > >>can thrive. What emerges is a compelling story of new visions and new > > >>forms in a field that is set to transform traditional norms in both art > > >>and technology as we move through the 21st Century. > > >> > > >>Additional information and links are available at: > > >>http://www.creativityandcognition.com > > > > > >-- > > >Dr. Samantha Henriette Krukowski > > >Area Head, Convergent Media > > >Department of Radio-Television-Film > > >University of Texas at Austin 78712 > > >512.471.4222 > > >www.aces.utexas.edu/convergentmedia > > > > > >www.rasa.net/samantha > > >www.folded.org
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