Re: wearable computers in the NYTimes

From: Curtis Bahn (crb@rpi.edu)
Date: 12/02/01


Hi Johannes ,

A few brief responses.

  Yudhijit Bhattacharjee first contacted me while researching the 
story in mid October, predating the dance tech wearable thread by 
quite some time.  In fact, he was sending final fact checks to us 
about the same time our thread was occurring. He came upon the 
participants primarily (i think) through a series of papers written 
for a special session at the last Computer/Human Interaction 
conference in Seattle entitled "New Instruments for Musical 
Expression."  The writer is a "science writer" who writes for many 
popular scientific magazines.

We never had any direct contact, he sent a series of questionnaires 
such as this:

--
Could you provide some brief comments on what impact wearable musical 
instruments could have on the performing arts and on popular culture 
in the years to come?

Who are likely to use them?

How will they change the relationship between audience and performer?

What kinds of musical communities might these instruments help to 
create? Etc Etc.
--

I gave him links to videos and soundfiles but he never indicated 
whether he had checked them out.

It was a rather strange interview experience for me, but some of my 
colleagues tell me it is pretty common.  This "questionnaire" form of 
research is something we see quite often on this list, and I think 
the approach is inherently flawed - certainly for the kind of 
artistic depth Johannes would like to see ("I'm doing research for my 
thesis on xxx,  could you please answer these ten questions by next 
weds...").  This approach, I think, contributes to the "laundry list" 
of short quotes with little interconnection in the Times article.

Its clear that Yudhijit does not normally cover the arts, music or 
dance.  But, this article was for "Circuits" in the Science and 
Technology coverage of the Times, and I think rather then flawing 
them for reaching out to our community we should question why it is 
so difficult to have the dance and music writers cover more work with 
technological components.  In our case, many people that would not 
have otherwise heard of our work have contacted me and said they 
would love to see it.  Perhaps this is just one more step in gaining 
wider approval and exposure for work of this sort in general.

best wishes for the holidays,
Curtis

>hello all,
>
>
>yes, indeed, wearable computers.
>
>It seems that after Scott deLahunta's critique of the New York
>Times-Dave Kehr article on digital technology/animation, the NY Times
>has been listening in on our discussions here more carefully, and picked
>up our recent chat on wearable computers.
>
>How sweet to see Tomie Hahn - in blue whig and accelerometer gear, her
>PikaPika costume  - smiling at us in front of a dance studio mirror. Her
>work with Interface (Dr Curtis Bahn, Dr Dan Trueman), along with Dr Todd
>Winkler, Dr Kazushi Nishimoto (Kyoto), Dr Joe Paradiso , Michael
>Gurevich, and Stephan von Muehlen, & Laetitia Sonami received honorable
>mention, also Dr Trevor Pinch (science and technology studies,
>Princeton)........all of the above are mentioned as doctors (science
>researchers), in an article featured in Thursday's "Curcuits" section.
>Unfortunately, what does this popular culture/pop sci culture reporting
>imply?  The article tends to take a downward spiral, near the end.
>Interface design is eventually questioned and mesasured against "true"
>musical instruments, and the writer, besides the point,  quotes
>Gurevich:
>
>"we will never be able to pack the intrigue and expression afforded by
>real instruments like saxophones and guitars into a wearable device..."
>
>
>Artists still need to have something interesting to express, Laetitia is
>quoted to sum up what went before.   What has this got to do with the
>interface design and interactivity?  And if this was the writer's
>concern, why doesn't Yudhijit Bhattacharjee address the
>work/performances that are done? It would interest me to hear, from our
>colleagues Tomie, Curtis, Dan, Todd, Joe at al (who all came to the last
>IDAT, if I am not mistaken), how the interviews were conducted and
>whether the NY Times writer saw any of the concerts?
>
>
>greetings
>Johannes Birringer
>OSU/AlienNation Co.
>http://www.aliennationcompany.com



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