Congratulations....Best to you.....Yacov >To: dance-tech@lists.acs.ohio-state.edu >From: Armando menicacci <armando@noos.fr> >Subject: New Book about Dance and Technology published >Cc: >Bcc: >X-Attachments: > >Dear List, > >after 2 years of collective work a book about the relationship >between dance and technology was published in Italian (at the >moment). A french edition is being prepared. We a re looking for >help in order to find the right contacts for an English/American >edition > >Title > >La scena digitale. Nuovi media per la danza, Venezia, Marsilio, 447 >pages, ISBN 88-317-7709-2 58.000 italian liras >Edited by Armando Menicacci and Emanuele Quinz. > >The book is 447 pages + 32 full color pages with 63 pictures, 58.000 >italian liras. Marsilio is one of the best publishers in Italy (it >publishes, for instance, the catalogue of the Venice Biennale and >many other beautiful things) > > >http://www.marsilioeditori.it >(publisher) > > >http://www.marsilioeditori.it/cgi-bin/webdriver?MIval=scheda_novita&isbn=7709-2&tipo=CAT >(book) > > >The book has been financed by the Italian Province of Bolzano where >Emanuele Quinz and I organized in july 1999 a small symposium about >dance and technology. This book is the "expanded" proceedings" of >the '99 symposium. > >In the original languages the titles of the article sare: > >0. Emanuele Quinz e Armando Menicacci Introduction >0.1 Lev Manovitch, New Media User's Guide > >1 APPLICATIONS > >1.1 Elisa Vaccarino, Danza e tecnologie digitali: panorama storico >internazionale >1.2 Roberto Castello, AAVV., Danza e tecnologie digitali: italian panorma >1.3 Scott de Lahunta, Choreography from bits and bytes >1.4 Flavia Sparacino Augmented Performance in Dance and Theater >1.5 N+N Corsino, La danse, medium multiple >1.6 Richard Lord: A rose by any other name... The hows and whys of web dances >1.7 Andrea Davidson, La morsure, choreography and interactivity >1.8 Jean-Marc Matos, Danse avec technologie "le corps d'une utopie >ou le corps d'un conflit?" >1.9 Michèle Noiret: Choregraphie/technologies: notes >1.10 Thecla Shiphorst: Computer assisted Movement. Cunningham and Life Forms >1.11 Robert Wechsler: Interactive dance: dilemmas of art in the computer age >1.12 Mark Coniglio : Towards Y3K. Dance's Digital Divide >1.13 Paul Kaiser, The Art of Collaboration >1.14 Stelarc: The involountary, the alien and the automated >1.15 Kitsou Dubois: Choreography in microgravity: sensitive flight >1.16 Susanne Kozel, Exils, Ghostsand Austronauts, physical >intervention in the critique of virtual culture > >2 MODELS > >2.1 Michel Bernard: Danse et image >2.2 Bojana Kunst:The Impossible Becomes Possible >2.3 Emanuele Quinz: Interface-World. Mutazioni della Scena: dal >testo all'ambiente >2.4 Niels Radtke: Presence and Ttelepresence >2.5 Paolo Atzori: Activation space >2.6 Robb Lovell: Computer Intelligence in the Theater >2.7 Armando Menicacci: Sensazione e digitale >2.8 Armando Menicacci, Emanuele Quinz: Interview with Hubert Godard > >3 INSTRUMENTS > > >In Italian, actual language of publication: > >0.0 Armando Menicacci, Emanuele Quinz: Introduzione >0.1 Lev Manovich, Nuovi Media: istruzioni per l'uso. Come i media >sono divenuti nuovi > >1. A P P L I C A Z I O N I > >1.1 Elisa Vaccarino, Euro.techno.dance >1.2 La scena italiana: Elisa Mendini: Danza/tecnologia in Italia: percorsi >1.3 La scena italiana: in soggettiva: Roberto Castello / Antonio >Camurri / Massimo Contrasto / Paolo Rosa / Ariella Vidach >1.4 Scott de Lahunta, Coreografie in Bit e Byte: motion capture, >animazione e software per la danza >1.5 Flavia Sparacino, Performance aumentate in Danza e Teatro >1.6 N+N Corsino, Avventure accelerate >1.7 Kitsou Dubois, Coreografia e assenza di gravità: sorvolo sensibile >1.8 Paul Kaiser, Steps (l'arte della collaborazione) >1.9 Techla Schiphorst, Il movimento assistito al computer: Merce >Cunningham e Life Forms >1.10 Michèle Noiret, In between. Coreografia/Tecnologie: note >1.11 Robert Wechsler, Danza interattiva: dilemmi dell'arte nell'era >dei computer >1.12 Jean-Marc Matos, Danza con Tecnologia: "il corpo di un'utopia o >il corpo di un conflitto?" >1.13 Mark Coniglio, Verso il terzo millennio: lo spartiacque >digitale della danza >1.14 Yacov Sharir, Corpo automatico, corpo resistente >1.15 Johannes Birringer, >1.16 Richard Lord, I nomi di una rosa...i come e i perché di Web Dances >1.17 Andrea Davidson, La Morsure: una coreografia digitale interattiva >1.18 Stelarc, L'involontario, l'Alieno & l'Automatico: coreografie >per Corpi, Robot & Fantasmi >1.19 Susanne Kozel, Ghosts and Austronauts: interventi fisici nella >critica della cultura virtuale > >1. M O D E L L I > >2.1 Michel Bernard, Danza e immagine >2.2 Bojana Kunst, L'impossibile diventa possibile >2.3 Emanuele Quinz, Interface-World. Mutazioni della Scena: dal >testo all'ambiente >2.4 Niels Radtke, Presenza e telepresenza >2.5 Paolo Atzori, Activation space >2.6 Robb Lovell, L'intelligenza artificiale nel Teatro >2.7 Armando Menicacci, Il digitale nell'insegnamento della danza >2.8 Armando Menicacci, Emanuele Quinz: Intervista con Hubert Godard > >3. S T R U M E N T I >3.2 Bibliografia >3.3 Biografie > >_____________________________ >The editors > >Armando Menicacci is teaching in the Paris 8 Dance Department where >he founded in 1998 a Technology Section. With Emanuele Quinz he >organized during the Festival Bolzano Danza the International >Smposium Danza & Nuove Tecnologie (1999) end the section of the >Dance Feztival Movimenti sensibili - danza e interattività (Roma >2000). He edited a few other musicological books and the music >section of the Dictionnaire de la Danse, Larousse, 1999. > >Emanuele Quinz is teaching Esthetics of the digital arts in the >Dance and Music Dempartment of Paris 8 University. Multimedia >artist, founder of anomos (an assosiation of people interested in >the relationship between arts and digital media) he's the chief >editor of "Anomalie digital_arts", a magazine on the same topics. > > >-- >___________ >Armando
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