Banff Event

From: Jim Ruxton (cinetron@passport.ca)
Date: 03/08/00


Thought this may be of interest to some of you.
Jim
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The Banff New Media Institute (BNMI) provides leading-edge seminars,
think
tanks, summits and workshops for producers, designers, artists, writers,

directors, software developers, new media content specialists, curators,

scientists, educators and visionaries.  In the year 2000, our focus is
on
science, art, culture, emotion and the fictions of the new millennium.

Our series of summits and workshops cater to national and international,

mid-career and senior professionals in the creation, production,
distribution, and financing of new media content and products.  The BNMI

offers an unparalleled experience through which creative, technical and
industry sectors come together in an atmosphere based on peer learning
and
research.

To obtain further information on the BNMI, contact The Office of The
Registrar at 403.762.6180 or 1.800.565.9989 or at
arts_info@banffcentre.ab.ca.  Visit our web site at
http://www.banffcentre.ab.ca/nmi.

The Art and Fiction of Science Media: Television and Interactive Media
($210)
Saturday, April 29 - Sunday, April 30, 2000
This seminar explores creative issues, technology innovation and
emerging
forms and audiences for science content.  We will consider fiction,
documentary and research forms, including recent initiatives by artists
in
the use of scientific data.  The process of discovery, investigation and

mystery that is part of the excitement of science works well in
interactive
form.  Science broadcasting has led television in adapting broadcast
content
and context to interactive platforms.  Broadcasters, interactive
designers
and those interested in entering the world of science media are
encouraged
to attend.


Emotional Computing: Performing Arts, Fiction and Interactive Experience

($360)
Thursday, May 11 - Saturday, May 13, 2000
Performing arts provide an invaluable resource with which to examine
next
generation new media.  They combine physical discipline with
improvisation,
narrative and provoke emotional experience for the participant.  The
human
body reminds us of our humanity and vulnerability.  This summit searches
for
meaningful as well as abstract strategies that bring together our
understandings of presence in the year 2000.  Microwave technology,
linked
networks and satellite communications are just a few examples of the
available resource base for the arts of the future.  Performers can work
the
magic between the worlds of the live events and virtual network.  They
might
play with responsive (smart) costumes and props or manipulate sound
scapes
and sets.  The audience presence and activity can be an instrument in
interactive work.  This event explores and identifies research issues in

cross-disciplinary performing arts and new media. It continues Banff's
discussions of intelligent software design. Participants investigate
educational applications and the development of an ongoing research
network
into performance practice and new media.  We encourage making use of
performance as an element of your presentation at Emotional Computing.
Artists of all disciplines, scientists, theorists, technology and
software
developers, and audience analysts are welcome.



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